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Write a customer review. Showing of 5 reviews. Top Reviews Most recent Top Reviews. There was a problem filtering reviews right now. Please try again later.

The baby Hellboy is the reason you should buy this set. He is simply awesome. His has ball-jointed shoulders, ball-jointed neck, and his stone fist rotates.

He also stands up perfectly on his own. His cloven feet are a nice touch. As far as educational value, Hellboy is the ultimate tale of nuture over nature.

There is no such thing in the Hellboy tale. It doesn't seem baby Hellboy will appear in series 2 at all.

You won't regret buying this one Rasputin is great too, the apparatus on his hand is removable and he is well articulated and painted.

When you compare the Mezco Hellboy line with the hundreds of dollars you could spend elsewhere on "collectible" Hellboy stuff the Mezco stuff is even more amazing.

I would have loved to find a bigger hell baby. A classic hellboy figure set! On October 9, , during a battle between Allied troops and Nazi scientists trying to open a portal to Hell and the baby Hellboy came through from the other side, as naked as a newborn babe dragging along the Right Hand of Doom.

You can get the full-grown Hellboy 8" action figure from Mezco Toyz, but he is not as cute as this baby Hellboy, with his curly red tail and tiny little horns.

But not only do you get the baby Hellboy figure, there is a Rasputin bonus figure, who also comes with his magic glove that he used to open the portal.

Unlike the other characters in the 1st Series of "Hellboy" figures, Rasputin is dressed in his garb, which consists of his crazy red robe with all that golden detailing and the high fur collar while Hellboy, Abe Sapien, and Rasputin's sidekick Kornen, all have the modern look.

Rasputin does look a little bit like the Mad Monk that undermined the rule of the Romanov's, but historical fidelity is not what is important here. All things you have to admit that the Rasputin figure is probably the most impressive bonus figure you have seen to date.

The baby Hellboy is worth the full price, so throwing in Rasputin just sweetens the deal. Yeah, baby Hellboy is a cute widdle creature. Yeah, and he's got a big Right Hand of Doom, too.

Shudda seen that one coming. Rough right hook or not, though, could you really hoist that Thompson and spray the grey right out of a baby Hellboy?

Neither could I, and neither could the Squad of Allied G. Joes that rescued him from the ruins of Project Ragnarok.

Mezco Toys rules the day: Baby Hellboy is a slick, sleek little figure, right down to his glistening red runic skin and ball-jointed Hand of Doom.

In these cases, the afterword simply highlighted the implausibility of the fiction. However, the best stories in the book are excellent: For readers keen to learn more about the cutting-edge science that shapes science fiction, this is a must-read.

There are few other collections that offer such an interesting dialogue. Reviewed by Hannah Kate. If you're interested in a morbid glimpse behind the final curtain, look no further than Thomas Ligotti's collection, Death Poems.

Often cynical, and downright flippant, Thomas Ligotti, celebrated master of the genre, reveals his erudite dissection of faux sentimentality and reverence.

Ligotti, best known for horrific prose, is equally adept as a poet. His poems are unmistakably bleak and despondent, even when a lighter touch is expressed.

He cultivates an enduring sense of rhythm, thoughtful but relaxed, and within lies the weight of his observations. This collection raises interesting questions — not by romanticizing death, but by showing no great affection for its opposite condition.

Certainly a must-have for Ligotti fans, Death Poems will be equally at home on the shelves of those with a more general interest in verse.

Review by Bob Freeman. Each story starts fresh, and the result is a splendid variety of topics. Some of them expected others, not so much.

The time travel tales include: I loved this collection. While some of the stories weren't the type of thing I would normally read they were all thought provoking and highly imaginative.

The tales were well written with each of the authors doing a great job twisting the second chance down a darker path. The settings were established excellently and the characters had distinctive voices.

The descriptions were laid in nicely leaving me with an excellent sense of place and time. The only criticism I have is that a few typographical errors sneaked in.

That being said, I enjoyed the concept and looked forward to reading each story. It was a fun read! If you like time travel then this is well worth reading.

I have not read any of these authors' works before. Highly recommended for adult readers. Swearing, Homosexuality, Sexual Situations, Gore.

Reviewed by Aaron Fletcher. Dark Regions Press, Ramsey Campbell is, in a word, brilliant. Each and every story is a master class in how to write thoughtful, literary fiction within the horror genre.

The characters you find in this collection are all very real, vividly imagined and put on display. Campbell puts you inside their head with ease and you feel the weight of each situation as they play out slowly.

These are stories that are claustrophobic and menacing, but grounded in a realism that allows the terror to germinate and take root. Trust me on that.

Take this passage, for instance: Their combined weight bowed the lowest branches while they extended arms like withered sticks to snatch the child.

Holes for Faces is a must-read for Ramsey Campbell fans, collecting his best stories from this fledgling century we find ourselves in.

Campbell yet, then I can think of no better place to start. Reviewed by Bob Freeman. We have a take two review below from Drake Morgan.

Ramsey Campbell is a powerhouse name in horror and in his latest, Holes for Faces , he offers up a collection of short stories.

For those already well-versed, it might feel a bit too familiar. If that sounds contradictory, it is. In the long British tradition, he takes the mundane events of life and gives them a most sinister twist.

The fear is subtle and sublime; creeping up on you and catching you unaware. For old and new readers alike, he lures you into the shadows quite wonderfully.

The difficulty for those familiar with his work is characterization and theme. The stories here have a common thread that when read all together can feel too close to his other work.

Campbell is still a stellar, much needed voice in horror. The vague sense of unease that grows into sheer terror is a welcome change from splatter and gore; there is always the question of where reality has ended and madness has begun.

This would fit perfectly in an adult library. Reviewed by Drake Morgan. The themes here represent the Gothic tradition as it was meant to be, but updated and fresh for modern readers.

The unique element to this collection is its diversity. While the windswept heaths of Northern England raise the hairs on the back of our necks, Olsen reminds us that fear lurks in every shadow of every culture.

Themes of cultural oppression, the evil claws of colonialism still deeply embedded in the back of certain nations , feminine sacrifice to ancient traditions with hidden shackles, and other literary facets pepper the tales and elevate them beyond mere horror stories.

But the bride awakes to discover she is in a nightmarish world populated by dead brides and poison. To give away the end a bit, she awakes from this dream to find all is well.

Lanagan presents a strong feminist subtext on the nature of the marriage rite as an oppressive trap for women, even in our modern, post-feminist movement time.

Hers is but one example of how the authors here are not afraid to step out of genre and into literature in order to create a more compelling story.

The authors here clearly understand the Gothic literary tradition, and Olsen has assembled a powerhouse of new masters.

Deftly weaving the haunting siren songs of the Gothic tradition pain, madness, illusions, fear within a modern framework, this collection lures you in from start to finish.

This collection would fit well in an adult literary fiction section. Dark Renaissance Books, Previously published, many of the poems appeared in magazines and limited-edition publications that have long been unavailable.

A man is seeking answers in dreams, metaphors, and images, but there are none to be found. The man keeps seeking, but his search is in vain.

Boston often uses nature as a metaphor for the darkness within the human species. Boston parallels the decay of nature to the decay of the human soul, thus creating a terrifying dual descent into darkness.

Hope, despair, anger, and fear are there, often all contained within the same line. In one moment he can make you soar, and the next, tear the wind from your wings in agony.

Wilson, Illustrated by Jill Bauman. The works here are menacing, mesmerizing, challenging, and difficult. In other words, exactly what poetry was meant to be.

Addison and Wilson work well in conflict. Each line is a challenge to the next. Even the structure of many of the poems reflects a fractured world full of more questions than answers.

Using the modernist approach to poetry in both lyrical structure and form, Addison and Wilson have created a work of dark wonder. Heavily illustrated, the images draw forth elements from the poems without giving away their secrets; complements to the work, but not solutions to the dark shadows.

This collection would sit nicely in any adult poetry section, including a modernist section. Modern poetry is a very challenging animal. In the post-modernist wake, form, style, and function have been tossed to the wind in favor of a less structured approach.

At times this can feel a bit like anarchy. Modern genre poetry is even more difficult as it fuses the elements of genre onto this chaotic new world.

But as I read, the light of understanding went on. Crawford and Boston took on a daunting task. They had a story to tell.

Shadow City is a place, both real and unreal. This could have been a novel, but the poetic form allows for a subtle exploration that captivates the reader in a way a novel cannot.

Poetry is about a single line or a single word used to convey a thousand thoughts. Crawford and Boston build a world on a tightrope of words and we believe.

As a fan of the Gothic poets, modern poetry and I have not often found a comfortable place. Genre poetry has been even less satisfying as far too much of it falls into the descriptive rather than the imaginative.

A perfect addition to any adult, modern poetry library section. Cutting Block Press; Volume 1 edition, What draws the authors of the stories in this anthology together is the opportunity to raise money for amFAR, an AIDS research foundation.

This anthology, assembled by the team at Cutting Block Press, publishers of the Horror Library series, should be an eye-opener.

Horror writers are a tightly knit group, generally willing to face their demons and those of society head on--without shields or filters.

Rocky Wood opens the effort with an introduction sure to elicit a tear to anyone who has ever met the man.

The president of the Horror Writers' Association has done a world of good for the organization and has befriended many with just a handshake and a hello; he is truly the heart of a genre.

Knowing his fight with ALS makes his words even more poignant but his personality and devotion to people and many causes have remained constant from the first time this reviewer met him years ago.

Robert Shane Wilson and R. Cavender round out the team of Cutting Block Press, and cement this book as a labor of love. The cause is paramount, but the stories run a close second here.

With many high profile writers involved, a good number of entries are reprints. These include tales by F. However, their contributions are not simple retreads or throwaways--they're solid, and in spite of being published previously, they are tough to find--not one was familiar to me.

Brand new, original stories also abound here, and very few disappoint. Hodson, and Shaun Hutson.

There is something here for , and for many subgenres of horror, something readers don't often find in anthologies. Cutting Block Press and the authors within should be proud of this book, for both its purpose and the finished product of strong, quality work.

Recommended for all the right reasons. Thank you to the editors and authors who have donated their time and creativity for a great cause. Hardback I believe its coming out in all versions soon.

Laird Barron is one of the godfathers of modern horror. His work is quite outside what I've come to tag as "horror" in recent years.

This is a collection of previously published stories from the last three years. Short stories are an excellent introduction to any author and his latest collection, The Beautiful Thing That Awaits Us All , is a must-read for new and seasoned fans alike.

Several come from Lovecraft-themed anthologies, and others are more broad-based horror offerings. As many of these stories are from specialized anthologies, seasoned fans may likely have missed one or two along the way as well.

Barron's writing style is outside of what I see as mainstream horror, and I for one really appreciate that. It's subtle, and gently guides the reader into dark, eerie places.

His characters are well-defined, distinct, and drawn in sharp lines. I found myself loving, hating, sympathizing with, or raging against them throughout the stories.

The story "The Redfield Girls" serves as a perfect example. We have a wonderful cast of characters and a fantastic set up. A group of women make an annual road trip to a remote location in the Pacific Northwest.

They drink some wine, relax, and recharge their batteries for the coming year. This year however, one of their party insists on a specific location.

Thus begins a mounting feeling of something dark and ominous. Barron delivers in tone and atmosphere, and we sit tense through mysterious phone calls, missing vehicles, and missing persons.

Modern writers seem to have lost that flair for the macabre as they fall back on gore, bloodshed, and violence. Barron is far and away a cut above the rest—pun intended.

This novel would work well in any adult horror or dark fiction collection of a general library. Monk Punk edited by A.

There are 23 short stories in Monk Punk , mostly by emerging writers some are first publications. The stories take place in a variety of time periods, from the Middle Ages to the distant future.

Unfortunately, while I enjoyed some stories that were, to an extent, fresh and original, the collection itself is a bit of a let-down.

On the one hand, we have Buddhist -like monks, who usually live alone, in contemplative spiritualism, but who display deadly martial arts skills when called upon.

On the other, we have Christian -esque monks, who form cultish, cloistered brotherhoods, prone to ritualistic behaviour, conspiracy and on occasion sacrifice.

The problem with Monk Punk in general is that it rarely moves beyond this, and the stories begin to feel a little same-y. I had some trouble differentiating the solitary-Eastern-monk-with-badass-fighting-skills stories of which there are six , as they trod very similar ground.

Unfortunately, the only story that attempted to focus on a religion other than Buddhism or Christianity — the story of a colonial explorer who meets a Sufi guru — was marred by racist and misogynist caricature, which made it rather unpalatable.

There are some stories in the collection that have tried to do justice to the fascinating theme, particularly R. Overall, though, the collection lacked the originality and energy promised by both the title and the introduction.

What a refreshing anthology this is! In a deviation from the usual blood and gore of traditional horror, these short stories focus on the unpredictability of magic and how consequences can truly be horrific when one delves into the supernatural.

The medium she uses to bind him to her—her hair—ends the story with unexpected results. Morgan seems to be a relative newcomer to the formal publishing world, but her talent is already quite evident.

Jonathan Oliver did a wonderful job of choosing and editing the stories for this anthology. I highly recommend this collection for readers that want something a little different and librarians looking for good read-aloud material.

Stories and Poems of a Twisted Kind is a nice little collection of poems and stories with a bit of a Gothic feel.

He has also given a sweet little nod to the old Tales from the Crypt series. The book is a fun read for both teen and adult horror fans.

The book is well-written and the layout of stories and poems works nicely. All in all, a very good read. Suitable for older young adult readers.

Strange, Weird and Wonderful Publishing, New paperback and Kindle e-book. Keenan, about a strange inheritance involving witchcraft and ventriloquist dummies.

This one thoroughly creeped me out as I have a fear of ventriloquist dummies even more than clowns! Russell, about an alien attempting to invade earth, who is thwarted by the rooster, Mr.

As with all anthologies, not every story is going to be appealing to every reader. Unfortunately, it was far too verbose, with the author telling the details instead of describing them.

The editors did a good job with their selections, for the most part, and I really enjoyed reading the stories.

Some violence and gore. New paperback and Kindle. Did you ever wonder what would happen if you or someone you know developed superpowers in our reality?

Would they be good or evil? Would they hide it or seek out the spotlight? Would that power indeed corrupt? This is a collection of short stories posing those same questions, as well as others.

As with any anthology, there are usually a few misses within the hits. However, the bulk of the stories are imaginative and well-written, and Lincoln Crisler did an amazing editing job.

Most of the stories are pretty quick reads, and very entertaining. Characters and settings differ greatly, and the stories are not necessarily your standard comic book fare.

Angelic Knight Press, Echoing the destruction of mankind, the stories in Fading Light are frightening and, for the most part, quite bleak, which is how I like my horror.

I also received a companion e-book containing five stories that were very good, but left out of the anthology for other reasons. A lot of the stories centered on the phenomenon of our sun disappearing.

Whether by supernatural, religious or scientific occurrences, these scenarios are all equally frightening. There are also quite a few unique stories contained here that are scary and bleak.

Nothing here is necessarily predictable, even considering the theme, but it is all imaginative and entertaining.

Dueling Minds is a ouroboros of a book. A collection of authors were all shown the cover art which was based on a Ray Bradbury tale and asked to write a story about it.

Those stories were then illustrated and collected into this volume. Some take a surreal to downright esoteric slant on the imagery while others go literal.

All are excellent, moody tales, but Braunbeck and Piccirilli's stand out as shining gems. Is this a good book?

Private collectors, however, will find this to be a haunting collection that they'll come back to time after time. A Succubus for Halloween by M.

Halloween brings out all things scary, but with M. Hydra's short story collection , A Succubus for Halloween , those scares can also be mixed with a bit of titillation and sexiness.

This collection of thirteen stories, as with most collections, contains both strong stories as well as some that are weaker.

This story took on a bit of a bizarro aspect as did a few other stories in this book and made me rethink the concept of massage therapy.

I only wished that there had been more stories themed for the holiday based on the name of the collection.

This didn't keep me from enjoying Hydra's work, though, and I will definitely seek out other books by her.

I recommend this to anyone who doesn't mind mixing erotica into their reading, as it is an erotica collection, though themed with horror and paranormal.

Review by Rhonda Wilson. Sick Chick Flicks by John Skipp. Reading screenplays is rarely enjoyable for the typical reader. He spent many years in Hollywood, emerged with his soul, and is still remembered for being one half of the pioneering movement of splatterpunk along with Craig Spector.

Skipp knows that the typical screenplay would make one's eyes bleed as sleep took over, so he writes them almost like stories - something other screenwriters should consider.

Maybe then we'd have more original horror movies that worked, instead of seeing moviemakers churn our remakes which bore even twelve-year-olds.

Sick Chick Flicks is a fun read. Skipp knows how to write "different" female parts - strong females who can kick ass but are mentally resilient and anything but cookie cutter material.

Marcia, the lead who is led, also leads through the tale. The role demands an actress who isn't afraid to break through new walls.

Sometimes, the title of a story creates a setup that begs for fulfillment. She's turned into a nationwide magnet for bilge from every direction, every type of person.

However, she shows she can handle it quite well. It's anything but a typical story. Yes, it has zombies but also puppets, songs, and a bat for stress relief.

Sick Chick Flicks is not just a great collection to throw the spotlight on unique women in horror tales, Sick Chick Flicks is just, well, something just outside of normal.

John Skipp likely prefers that, and so will most readers. A Book of Horrors edited by Stephen Jones. Hard cover, paperback, kindle.

Horror just took back its balls. This effort collects tales that, for the most part, actually scare or unnerve the reader. Stephen King opens up the book with a new story, rather than one that has been recycled a million times, or a throwaway.

That in itself is a rarity, and a portent for the rest of the anthology. Of course, not every tale in the book works, but the winners outweigh the duds by a wide margin.

Both Ramsey Campbell and Michael Marshall Smith have stories in this collection, and they never disappoint. Of the fourteen stories and novellas, the heavyweights include: She almost makes the reader forget about the King piece in this brilliant story of a hitchhiker and a driver spending a night in a hotel together.

What happens inside cannot be predicted. Peter Crowther's "Ghosts with Teeth" follows. His characters truly chew under the readers' skin.

Brian Hodge's "Roots and All" is a tale about family and the secrets which they keep, along with the decay of one's hometown and the people within those places.

It seems like there have been hundreds of themed anthologies flooding the market in recent years. While many of them may contain some excellent stories, most do not include more than a few that actually frighten.

A Book of Horrors is one of the old breed, which helps to bring true bite back into the genre. Thank you to the authors between the pages.

The Circle by Bentley Little. Cemetery Dance continues its movement to provide diehard readers with gems of horror which have become hard to find or were previously unavailable to the general public.

When a novella begins with a knock on the door, a young boy who squeezes diamonds out of his bum, and the insects which grace the cover of this book, the reader knows he or she is holding pure Bentley Little.

There is a shrine in a small suburban town which draws several people to come and offer something in return for money, sex, or other material items.

Of course, the witch who lives there has other plans for those who hope for something without much in payment. The three intersecting tales that wind around each other here in the span of a single night offer insight into the human condition, something Little is known for.

Recommended for any Little fan and those who enjoy their horror just a little bit different in the approach of the ordinary. Ghost House Dark Regions Press , It leads the reader through terrifying yet enticing tales that stimulate both the imagination and intellect.

Insightful thoughts and superb symbolism interlace adventures with demons, flesh eaters, ghosts, magic and other realms. Author Scott Thomas even induces fear through the form of a horse.

Each tale one rhyming is a gem, bound to the collection by theme: More generally, this book—by an independent specialty publisher—is recommended for libraries serving adult horror fans, specifically public libraries.

Violence, gore, cannibalism, implied sex, suggested incest. The Horror Hall of Fame: The Stoker Winners edited by Joe Lansdale.

Long delayed, The Horror Hall of Fame: With any collection of stories there are sure to be highs and lows, even in a "greatest hits" package such as this.

All the names are duly represented: Martin, Elizabeth Massie, and so on. Silva's "The Calling" are brilliant, through and through.

The Whisper Jar is a collection of nine stories, combining a wonderful mix of horror and fantasy. A zombie virus has ravaged society, although the government has managed to get it under control.

Salvation House comes under attack at times and the nuns and the children must fend off the attackers. Lanham keeps you guessing through the entire story and then hits you in the gut with and unexpected and heartbreaking ending.

Carole Lanham writes with a touch of whimsy that draws you into what ultimately are very dark and macabre stories. She is also able to flawlessly meld a childlike innocence with an eerie eroticism that for me really makes The Whisper Jar a major standout.

The stories are at times playful and then move into an almost unpredictable darkness. This is one collection that I highly recommend if you like your horror weird and disturbing.

Skeletal Remains is a cool little collection of nine short stories that center on the human skeleton. All of the stories are well written and Gouveia has done an excellent job with the editing.

The stories all have a nice flow and very unique subject matter. Skeletal Remains is a quick yet enjoyable read. Lore is a collection of short stories of speculative fiction.

It encompasses horror, science fiction and fantasy. The cover itself is a beautiful wrap-around piece by famed artist Richard Corben. For a round-robin story I felt the prose should have been a little tighter.

It is part of a fantasy series, The Throne of Bones, that takes place in another world. The prose is detailed, imaginative and dark, creating an eerie and somber atmosphere.

Overall Lore is a good collection of multi-genre stories full of darkness, depression, eeriness, and a somber tone.

If you are a fan of speculative fiction, then this one is for you. Contains adult situations and gore. Unspeakable and Other Stories by Lucy Taylor.

Earlier this year, I finally got to read a short story by her, and I enjoyed every word of it. So I was ecstatic when our site was contacted by the author about reviewing her short story collection Unspeakable and Other Stories.

Yes, her stories would be classified as erotic horror, but I don't think many readers would find themselves wanting a warm body to make love to after having read her work.

Taylor's stories are sensual yet disturbing and are more likely leave you fearing the lover beside you. Gripping and chilling, I devoured this collection in small doses to make it last longer.

Adult language, Adult Situations, Sex. Dark Moon Books, Collected in Dark Tales of Lost Civilizations are 25 short stories from the horror and speculative fiction genres, unearthing our forgotten worlds and societies.

The stories all begin with some known reality: Then, leaping into the void from there, each writer suggests a gruesome alternate history.

The stories range from mildly disturbing to downright terrifying, although none are particularly visceral.

This element keeps the collection rooted in the possible, making it scarier, perhaps, than the current saturation of seductive monster-based and slasher fiction.

The prevailing understatement of gore makes the book a good choice for treating high school history students to a read-aloud on stormy afternoons.

It begins with an old Sioux legend, a tragedy involving brothers mocking their gods. This would be a great piece to read in conjunction with Native American studies; short, pointed, and entirely in character with the original mythology.

Classic horror tension builds steadily from start to finish as the reader watches helplessly while the explorers, desperately frightened and warned away at every step, still insist on carrying onward to their doom.

They open a vault made deliberately impassable; descend into terrifying darkness and stench; ignore a menacing, unearthly, drumbeat, and are climactically pursued into madness by the unnameable horror they unwittingly release.

The writing is metaphorical and skillfully done. Recommended for grades 6 and up. Multiplex Fandango by Weston Ochse. Over the years I have heard nothing but good things about the works of Weston Ochse.

Having never read anything by him, I was looking forward to having the opportunity to check out his collection, Multiplex Fandango.

I was happy to discover that everything I had heard was accurate. Multiplex Fandango is a collection of sixteen of Ochse's short stories and not a one is disappointing.

Reading through this collection, I could easily see that Ochse cares about what he writes, as his feelings pour out onto the pages.

Some of the stories that truly stuck out to me were: I'm sure favorites will vary by reader, but there is something for everyone in this stand-out collection.

This was my first, but definitely not last, adventure into the mind of Weston Ochse. Violence, Adult Language, Adult Situations. Four Legs in the Morning is a compilation of three short stories that can be read individually; however, they all intertwine and are best read together.

All three stories center on Dr. Sibley, chair of the English department at Grayson University, a man you never want to cross.

Each story describes in terrifying detail what can become of those who attempt to slight Dr. Sibley; but did Dr. Sibley actually do anything to them?

The answers are unknown, as they should be. This is a literary work in its truest form. He has a gift for language and description, bringing his characters and settings to life.

Prentiss is the epitome of a story weaver; each of the three stories intertwine, relate back to one another, twisting and turning and bringing you right back to the beginning all over again.

Recommended for adult fiction collections; however, since this is a Signature Series title, it might be difficult to purchase because of the limited quantity and its price.

Sinister Grin Press, All three stories were terrifying in a different way and most enjoyable. For readers not familiar with these three authors, this is a great introduction to each of them.

For a new press, this is an impressive first lineup and will leave readers curious as to what will be coming out next from this small press.

Highly recommended for all library collections. Uncanny Tales of Sherlock Holmes edited by J. As librarians and horror fans make arrangements to purchase the latest Sherlock Holmes movie or TV series video collection, may I also suggest picking up Gaslight Arcanum: Uncanny Tales of Sherlock Holmes to add to your display?

The third anthology of a series of Gaslight Sherlock Holmes compilations the others being Gaslight Grimoire and Gaslight Grotesque , this short story collection with a supernatural edge is both a notable and a noble tribute to the Great Consulting Detective.

However, this aside, the book is well worth purchasing. I recommend Gaslight Arcanum for Sherlock Holmes fans and anyone who enjoys a good mystery.

New, Used, and digital. For most people, there is nothing more terrifying than waking up and going into work day after day. Peter Giglio shows just how valid this fear is as he brings together twenty-five authors and stories in Help!

These are just a few of the magnificent and utterly terrifying stories in this collection. There are characters in the musical that appear in neither the cartoon nor the Ingrid Bergman version.

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